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Advisory Board |
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Sara Edwards, Senior Producer, "Backstage with Barry
Nolan"
For nearly a decade Sara was the entertainment reporter and film
critic for 200 NBC affiliates across the country. She was also the
arts and entertainment reporter for WHDH in Boston since 1989.
At CN8, Sara produces and reports for "Backstage with Barry
Nolan," CN8's national entertainment program. As Senior Producer,
Sara provides guidance and direction to the program and oversees
all producing aspects of the show. Sara has been a frequent guest
and presenter at Chlotrudis Awards, and a true supporter of the
organization.
Sara on Chlotrudis, "Once you embrace the
name, 'Chlotrudis' which always prompts the question...whatttt???
Spell that???, you're half way there. When i first took part in
the awards ceremony i thought it was just a hoot, but quickly i
realized that this group of film fanatics was truly passionate about
the art. Some of the smaller independent films they showcased i
hadn't even heard of, so it was a true education for someone who
was always assigned by a local news station to review the latest
star studded action extravaganza. So long live 'chlotrudis!' We
can all benefit from an organization that loves and promotes a purer
form of filmmaking. Box office be damned! Let film freedom ring!" |
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Don McKellar, writer/director/actor, BLINDNESS;
CHILDSTAR; LAST NIGHT
Don McKellar is a talented, triple-threat, acting in, writing and
directing films that have long thrilled Chlotrudis members. As an
actor and a writer, Don got his start collaborating with director
Bruce McDonald on the films ROADKILL and HIGHWAY 61. From there
he appeared in THE ADJUSTER, the first of several Atom Egoyan's
films followed by EXOTICA and WHERE THE TRUTH LIES. His writing
credits include THIRTY-TWO SHORT FILMS ABOUT GLENN GOULD, THE RED
VIOLIN, and two films that he also directed, LAST NIGHT and CHILDSTAR.
His latest effort is the screenplay for Fernando Meirelles' BLINDNESS
in which he also acts. Other acting highlights include MONKEY WARFARE,
CLEAN, and television's "Slings and Arrows" and "Twitch
City." Chlotrudis has successfully worked with Don three times,
the first in support of Gary Burns' film WAYDOWNTOWN, the second
to honor him for his Body of Work at the 13th Annual Chlotrudis
Awards, and the third in support of MONKEY WARFARE at the Independent
Film Festival of Boston. |
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Patricia
Rozema,
writer/director, I'VE HEARD THE MERMAIDS SINGING; MANSFIELD PARK;
WHEN NIGHT IS FALLING
Patricia Rozema made her name as the writer/director of the independent
features I'VE HEARD THE MERMAIDS SINGING and WHEN NIGHT IS FALLING,
both of them quirky and romantic pictures that garnered Rozema an
audience who responded to her individualistic style. She took a
change of direction with a period film, an adaptation of Jane Austen’s
most difficult novel, MANSFIELD PARK. Rozema has recently completed
a filmed version of Samuel Beckett's play HAPPY DAYS for "The
Beckett Film Project." I'VE HEARD THE MERMAIDS SINGING, which
was recently voted as one of the top ten Canadian films of the century
by "Maclean's," has just celebrated its 15th anniversary
and is about to be re-released by Miramax. Alliance Atlantis has
also compiled a DVD collection of Rozema's features and shorts,
which was released in December 2002. Patricia attended the 7th Annual
Chlotrudis Awards Ceremony
where she was awarded the award for Outstanding and Visionary Directing
of Film. |
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AJ
Schnack, director, GIGANTIC (A TALE OF TWO JOHNS);
KURT COBAIN ABOUT A SON
AJ Schnack is a filmmaker based in Los Angeles. He directed a movie
about They Might Be Giants called GIGANTIC
(A TALE OF TWO JOHNS), that won the Chlotrudis Award for Best
Documentary in 2003. His second movie is THE RADICAL TEEN CHEERLEADERS,
which he shot solo-style in Los Angeles in 2004. It will be finished
soon. Last year he released his third film, KURT COBAIN ABOUT A
SON, based on audio interviews between Cobain and writer Michael
Azerrad for the book, Come As You Are: The Story of Nirvana.
It was nominated for a Chlotrudis Award for Best Documentary in
2008. |
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