Film
Festival Reviews
4th Annual Provincetown International Film Festival, Stars
at the Beach! |
| by Michael R. Colford |
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| Scot and I spent
a week in P-Town, obstensibly to attend the 4th Annual Provincetown
International Film Festival. This star-studded event was of particular
interest to us because Scot had never been to that lovely resort town
at the tip of the Cape, AND we were staying with my good friend Susan
who lives in P-Town. |
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| Scot and I had a very good experience at the Festival...
unfortunately we were evidently the minority. Plagued with technical
difficulties and cancellations, frustration was high among the volunteers
and staff, although the laidback festival goers seemed fairly unruffled.
The only problem we encountered was the selling out of two films we'd
hoped to see... particularly The Business of Fancydancing,
directed by Sherman Alexie, which had terrific buzz at the festival.
Instead we had a great weekend for documentaries... seeing 7 out of
the 9 films we saw. Now, on to the films we did see... |
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Notorious
C.H.O.
directed by Lorene Machado
Opening night Scot, Susan and I in hysterics to the antics of Margaret
Cho. This follow-up concert film to her terrific I'm the One That
I Want, was more outrageous and funny... but a little less well
put together. Obviously, if you like Cho, you'll enjoy her films,
if you don't... stay away. Notorious C.H.O. gets a little fancy, including
a couple animated bits, and interviews with Cho and her parents, but
it's her stage show that makes the film. While her first film had
an undercurrent of seriousness as she addressed her body image problems
and the story of her short-lived television show, Notorious C.H.O.
went for the bawdy humor. None of us will think of C.C. Bloom (Bette
Midler's character in Beaches) the same way again... 3 1/2 cats |
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| Daughter
From Danang
directed by Gail Dolgin and Vincente Franco
This heart-rending film looks at a Vietnamese-American girl, taken
from her mother at the age of 7 and air-lifted to the United States
near the end of the VietNam War. She is adopted by a single woman
in Tennessee, and raised as an American girl. While her birth-mother
spends the subsequent years regretting the loss of her daughter,
Heidi becomes estranged from her adopted-mother during college and
starts to think about her birth mother. Finally, after 22 years,
mother and daughter are reunited in Viet Nam. The results, at first
joyous and rewarding, swiftly and suddenly become a case of cultural
differences and misunderstandings. This amazing film won the Grand
Jury Prize for Best Documentary at Sundance this year. It will air
on PBS. 4 cats
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Cowgirls
directed by Sally Clark
This 30 minute short documentary looks at women in rodeo, through a series of
portraits from trick riders to elderly barrel racers to rodeo queens. Director
Clark defines what it means to be a cowgirl, even as all her subject deny that
they are feminists. Cowgirls is an entertaining and enjoyable film.
3 1/2 cats |
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The
Laughing Club of India
directed by Mira Nair
Monsoon Wedding's Mira Nair explores the power of laughter
as this 35-minute documentary introduces the viewer to a new alternative
health trend in the form of laughing clubs. Founded by a medical
doctor in India, these clubs bring hundreds of people together,
crossing class boundaries, to laugh for 40 minutes each day. This
is a charming and engaging film. 3 1/2 cats
|
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Elvira's
Haunted Hills
directed by Sam Irvin
Who knew Elvira was coming out with a second feature film? And who
could have guessed that I would get to exchange words with Cassandra
Peterson, Elvira herself? Elvira's Haunted Hills is a true
independent film, with Cassandra and her husband Mark Pierson handling
all the distribution tasks themselves. And Elvira film is an Elvira
film, filled with sight gags, bad jokes and innuendo... but this one
is pretty clever as well. Spoofing the Vincent Price/Edgar Allen Poe
films of the '60's, as well as the British Hammer Horror films, we
are treated to lush atmospherics, cheesy effects, and a good dose
of fun as Elvira and her maid ZouZou travel through 1851 Carpathia,
on the way to perform her act in Paris. Co-starring Rocky Horror
Picture Show creator/actor Richard O'Brien. This film won P-Town's
Best Feature Audience Award! 3 cats |
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The
Weight of Water
directed by Kathryn Bigelow
Completed in 2000, this schizophrenic film starring Sean Penn, Elizabeth
Hurley, Sarah Polley and Catherine McCormack has yet to score a distributor,
and although it's pretty uneven, I'm at a loss as to why. Based on
a best-selling Anita Shreve novel, and directed by action lenser Bigelow
(Near Dark, Point Break), Water jumps between
the present and a 1873 Smuttynose Island (off the coast of New Hampshire.)
Photojournalist Jean (McCormack) travels by yacht with her Pulitzer-Prize
winning poet husband (Penn), his brother (Josh Lucas) and his girlfriend
(Hurley), to the island site of a double murder in 1873. As her research
draws her in and away from the sexual tension of the present-day yacht
antics, she begins to unravel a deeper mystery... that the man hung
for the murder may have been innocent. Sarah Polley is magnificent
as a Scandinavian immigrant with a disturbingly trouble past, and
Katrin Cartlidge (Breaking the Waves) is a hoot as her uptight
sister. Breathtakingly shot off the coast of Nova Scotia, Bigelow
does a good job with the historical story, but the present-day tale
is awkward and doesn't tie in very well. Basically a mixed bag. 3
cats |
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Venus
Boyz
directed by Gabriel Baur
Baur's documentary looks at a group of women who dress as men, whether
for entertainment or as a way of life. These "drag kings" are varied
and complex ranging from Dred, a smooth, sexy African-American whose
popular with the ladies, to Danny King, an abrasive man's man. Each
woman tells their story, and we see parts of their act as they gather
together for one night at Club Casanova in NYC. While each woman's
story is fascinating in their own right, the film gives each one the
focus for too long, creating a meandering whole. With tighter editing,
or a series of short films, these stories would have been better served.
Dred King was present, and we chatted with her at the Opening Night
party. She is a charming and delightful woman. 2 1/2 cats |
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Gigantic
(A Tale of Two Johns)
directed by
A. J. Schnack
Surprisingly, the highlight of the festival for me was this top-notch
documentary about the band, They Might Be Giants. John Flansbrugh
and John Linnell met in Jr.High in Lincoln, MA. Together they formed
alternative rock band They Might Be Giants. Interviews with the two
Johns are mixed with dynamic performance footage, video
clips and words of admiration from friends and business associates.
The pair's genius is highly evident, and even those with a casual,
or no knowledge of the band will find this documentary a rewarding
experience. Boston-area doc-buffs won't want to miss this terrific
film during its run in August at the MFA. Producer Shirley Moyers
and director AJ Schnack were enthusiastic, friendly people. 4 1/2 cats
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Mai's
America
directed by Marlo Poras
The final film of our P-Town extravaganza comes from Boston filmmaker
Marla Poras. Mai is a Vietnamese girl who comes to America... more
specifically rural Mississippi to spend her Senior Year in High School
as an exchange student. While struggling to fit in with her white
Pentecostal host family, she befriends Christy, a drag Queen who opens
her eyes and her own natural independence. Mai's struggles with American
life a poignantly presented, and while some of the documentary seems
staged, Mai's natural exuberance and good humor make Mai's America
a rewarding film. Poras and Christy were present for a Q&A. 3
1/2 cats |
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| We also attended the Opening and Closing Night parties
where we chatted with filmmakers and guests. The star-studded CONVERSATION
WITH THE STARS featured awards presentations and interviews with directors
Gus Van Zant, John Waters, B.Z. Goldberg (Promises) and actor
Marcia Gay Harden. The P-Town festival seemed a little star struck,
but the visiting celebs, especially Harden and Waters (who interviewed
Van Zant), were entertaining and enlightening. Director Mira Nair
was also present at the Opening Night part to accept an award. |
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Boston International Festival
of Women's Cinema High
Falls Film Festival Independent
Film Festival of Boston Provincetown
International Film Festival Sidewalk
Film Festival Sundance
Film Festival Toronto
International Film Festival Tribeca
Film Festival Venice
Film Festival
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