buried treasure

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Apichatpong Weerasethakul's Petition to Change Thai Law

A couple of weeks ago I wrote about Apicatpong "Joe" Weeasethakul's new film SYNDROMES AND A CENTURY. Apparently there's quite a story brewing around this film by the director of Buried Treasure nominee TROPICAL MALADY. After Thailand's Censorship Board demanded Joe cut four "sensitive scenes" from his film, he decided not to release the film in his home country unless the laws were changed to allow it to be screened in its intended form. Joe has started a petition of have those laws changed called the "Free Thai Cinema Movement" where he says, ""We're petitioning not only for a just decision for Syndromes and a Century, but also for a long-needed modernization of Thai legislation concerning movie censorship." GreenCine Daily reports that the movement is receiving some serious backing from political and cultural heavyweights. Chlotrudis members, especially those that voted for this year's Best Documentary winner THIS FILM IS NOT YET RATED, should take a look at the petition and consider signing it. I did.

Incidentally, according to Limitless Cinema, the four "sensitive scenes" that the Thai Censorship Board demanded cut showed:

  1. a young monk playing a guitar
  2. a group of doctors drinking whisky in a hospital basement
  3. a doctor kissing his girlfriend in a hospital locker room
  4. two monks playing with a radio-controlled flying saucer

Now don't you really want to sign the petition?

Director Formerly Known as "Joe" Wows Critics

Last year one of CSIF's Buried Treasure nominees was a surreal, dreamlike film from Thai director Apichatpong Weerasethakul called TROPICAL MALADY. Back than the director was referred to by film critics as "Joe," but with the release of his latest film, SYNDROMES AND A CENTURY the "Joe" references seem to have vanished as critics praise the work of this uncompromising filmmakers. I'm sure Chlotrudis fans of TROPICAL MALADY are looking forward to this new film. It has played at the Toronto International Film Festival and the New York Film Festival, and has fortunately been picked up for U.S. distribution by Strand Releasing. Here's hoping it earns a good theatrical release. Check out some of the glowing reviews: indieWIRE, Variety, The Hollywood Reporter, and Reverse Shot.